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The History of Punjabi Music on LPs: A Timeline
For those seeking a tangible piece of Punjabi musical history, original LPs remain the ultimate treasure—a bridge between the past and present.

Punjabi music has a vibrant history, deeply rooted in folk traditions, spiritual poetry, and modern influences. The introduction of Long Play (LP) records in the mid-20th century revolutionized how Punjabi music was preserved and distributed. Vinyl records became the primary medium for capturing the voices of legendary artists, allowing their work to reach wider audiences. This blog explores the evolution of Punjabi music on LPs, tracing its journey from the early days of gramophone records to the golden era of vinyl.

The Early Years (1940s–1950s): Gramophone to 78 RPM Records

Before LPs, Punjabi music was primarily recorded on 78 RPM shellac records, which could hold only a few minutes of audio per side. Companies like HMV (His Master’s Voice) and Columbia Records released folk songs, devotional hymns, and classical renditions by early Punjabi singers.

  • 1940s: Artists like Bade Ghulam Ali Khan and Asa Singh Mastana began recording traditional Punjabi folk and Sufi songs on 78 RPM discs.
  • 1950s: The rise of Surinder Kaur and Prakash Kaur, who popularized Punjabi folk duets, marked a shift toward more structured recordings.

These early records were fragile and limited in capacity, but they laid the foundation for Punjabi music’s commercial growth.

The 1960s: The Birth of Punjabi LPs

The introduction of 33 RPM vinyl LPs in the late 1950s and early 1960s allowed for longer playtimes and better sound quality. This era saw the rise of Punjabi music as a distinct genre, separate from Hindi film music.

  • 1960s Folk Revival: Artists like Lal Chand Yamla Jatt and Surinder Kaur dominated the scene with LPs featuring traditional songs like "Jugni" and "Lathe Di Chadar."
  • Record Labels: Companies like EMI, HMV, and Polydor began pressing Punjabi LPs, making music more accessible.
  • Spiritual & Sufi Music: Singers such as Nusrat Fateh Ali Khan (early Qawwali recordings) and Bhagat Puran Singh released devotional LPs that gained widespread acclaim.

This decade cemented Punjabi folk music’s place in the vinyl era, with LPs becoming a household staple.

The 1970s: The Golden Age of Punjabi Vinyl

The 1970s were a golden period for Punjabi LPs, with artists experimenting with new sounds while staying true to folk roots.

  • Kuldeep Manak’s Rise: Known as the "King of Punjabi Folk," Manak released iconic LPs like "Peed Janawe" (1978), blending traditional lyrics with modern instrumentation.
  • Punjabi Pop & Film Music: Mohammed Rafi and Mahendra Kapoor recorded Punjabi songs for films, which were later pressed on LPs.
  • Bhangra’s Evolution: While still rooted in folk, artists like A.S. Kang and K. Deep introduced more upbeat rhythms, foreshadowing the Bhangra wave of the 1980s.

Vinyl records from this era are now highly collectible, with original pressings of Manak and Surinder Kaur albums selling for thousands of dollars.

The 1980s: The Last Wave of Punjabi Vinyl Dominance

By the 1980s, cassettes began replacing LPs, but vinyl remained popular for high-quality recordings. This decade saw the rise of bold, energetic Punjabi music.

  • Amar Singh Chamkila’s Impact: His LPs, like "Takue Te Takua," pushed boundaries with provocative lyrics and electrifying performances.
  • Bhangra Goes Global: Groups like Alaap and Heera released LPs that mixed traditional dhol with synths, influencing the UK Bhangra scene.
  • Last Major Vinyl Releases: Before CDs took over, labels like T-Series and Saregama pressed final vinyl editions of Punjabi hits.

Many 1980s Punjabi LPs are now rare, especially those by Chamkila, due to his tragic death in 1988.

The Decline & Revival (1990s–Present)

By the 1990s, cassettes and CDs dominated, leading to the decline of Punjabi vinyl production. However, in recent years, vinyl has seen a resurgence among collectors.

  • 1990s–2000s: Almost no new Punjabi vinyl was pressed, with rare exceptions like Gurdas Maan’s early works receiving limited LP releases.
  • 2010s–Present: A renewed interest in vinyl has led to reissues of classic Punjabi LPs by labels like Analog Attic and Numero Group. Artists like Malkit Singh and Jazzy B have seen their classic albums repressed.
  • Record Collectors’ Market: Original pressings of 1960s–1980s Punjabi LPs now sell for premium prices online, with some exceeding $3,000.

Why Punjabi Vinyl Records Remain Timeless

  1. Cultural Heritage: These records preserve the raw, unfiltered sound of Punjabi folk and Sufi music.
  2. Nostalgia: Older generations cherish vinyl for its warmth and authenticity.
  3. Rarity: Many original pressings were destroyed or lost, making surviving copies valuable.
  4. Superior Sound Quality: Audiophiles argue that Punjabi music sounds best on vinyl, with richer bass and deeper vocals.

Conclusion

The history of Punjabi music on LPs is a journey through time, reflecting the evolution of a culture’s sound. From the early 78 RPM records to the golden age of vinyl in the 1970s, these discs have immortalized the voices of legends. While the digital age has transformed music consumption, the charm of Punjabi vinyl endures, cherished by collectors and music lovers alike.

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